posterWoody Woodpecker's Animation Celebration
Osaka Japan - 2000

 

I went to Japan in the summer of 2000 to supervise the installation of "Woody Woodpeckers Animation Celebration" (oo-de ood-da-pe-ka) attraction at the new Universal Studios Japan (USJ) being built in Osaka. Our company in Hollywood CA had built three of the major attractions for the new park, and I had worked the previous year as Project Supervisor, building, painting, propping, disassembling and shipping the complex theater show. Now it was time to see if I had done my homework correctly.

I was quite nervous to say the least. The job was complex, the timeline was short and a huge amount of money was riding on the project's successful completion. There was little room for mistakes, and no room for major problems. And now, to top it all off, I was to meet a group of Japanese workers, wholly unknown to me, who had to make it happen...

street

Upon arrival in Osaka, the strangeness of Japan was overwhelming at first. The rabbit warren of streets surrounding my hotel fascinated me.pass I spent the first night just wandering for hours through the narrow passageways, going into stores and shops that gave no clue on the outside as to what was on the inside. Even though I got many a surprised look from the store employees and customers when the goofy-looking foreigner came in, I later came to learn that the city of Osaka was quite an international city, so foreigners were not that unusual to the locals.

Later on I learned however, that the same was definitly not true anywhere outside of the city.

In little rural towns I was the certainly the main attraction. After I had been there for a few months, I could understand enough Japanese to know that they were constantly talking about the Gaijin ('outside person)' in their midst, everywhere I went.

 

The crew from MAST...

When I met the Japanese crew at the jobsite for the first time, I discovered, as I had feared, they spoke absolutely no English, and there wouldn't be a translator for some time. The only Japanese I knew was "Ah So". That's was it. Heck, I wasn't even sure how to say "Hello" yet. So I had to figure out how to speak Japanese...and damn quick... along with all the cultural quirks of Japan! It was a bewildering first couple of weeks, but we made steady and rapid progress...

crewIn this picture, we had now been together for four months, and I was getting pretty fluent in Japanese by then, (at least I'd like to think I was....) but they told me that it really didn't matter...they had already learned my sound effects, grunts, hand waving and body language!

HA! Damn them all! :)

Despite the rather casual dress you see in this picture of the guys, they were the most efficient, talented, organized, hard working bunch of men I've ever had the pleasure of working with. Every day featured either uproarious laughter, a practical joke, or language-induced confusion galore.

Even the management of USJ came around often to find out why we were getting along so well and were so far ahead of schedule compared to all the other Japanese/American work teams installing other attractions.

 

meetingOther American vendors and Japanese crews were having problems. Some incredibly obnoxious American supervisors thought they knew everything and demanded that it be done their way, while the proud Japanese crews had their own ways of doing things, and dug in their heels in protest. There were ill feelings at many of the attractions, with near mutinies at some.

I thought the problem was that many of the "supervisors" who came to Japan were often the suit-wearing upper management types, or even the company owner, taking this plum assignment for themselves, but it was painfully obvious that they had almost no knowledge of how to get along with the "working man". In their little domains back in the states, they were "King", and they thought that their every utterance was divine truth, to be obeyed instantly by the workers. Well, that just didn't fly with these guys at all. I don't blame the Japanese at all for telling those obese American supervisors to get stuffed. I would have felt the same way if the situation were reversed.

However, this type of problem did not occur with our project. I wouldn't let it. It was mutual love, honor and respect between us from the get-go.

 

plan

But I will admit this...

Initially, I thought that I was really going to show them "how it was done in Hollywood". You know, show them "the right way" to do things.

HA! Man, did I ever get my ass handed to me in a hurry! They blew my theory right out of the water. Their skill level and near instantaneous comprehension of complex tasks was something to behold. They put the average Hollywood technician to shame. These guys were not the average Japanese "Joe-san Six Pack", but were the cream of the crop amongst their peers. After the first week I could only sit back and watch in amazement as they would do things with simple hand saws and planes that I could only imagine doing with power tools..and they would do it twice as fast and better!

 

preshow
The pre-show entrance, with 2 balconies, 16 door and room facades, a curved podium, rear projection screen and two 60 foot murals installed. OK, that's one-tenth of the job done, now on to the show itself!

 

show

post_showkanda

facadewild

NOTE:

I'm working on this page in fits and starts, so stop back later when I've got it all written in. It should be good.... Tabun desu' (maybe).

Sumimasen ga, baka gaijin onigai shimasu...
Wastashi wa miyo ne naremashita! USJ dokko desu ka?

Ah! So...so desu' NE!

Bok Sho!!

cruiser

 

Back to Japan

 

 

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