Woody
Woodpecker's Animation Celebration
Osaka Japan - 2000
I went to Japan in the summer of 2000 to supervise the installation
of "Woody Woodpeckers Animation Celebration" (oo-de ood-da-pe-ka)
attraction at the new Universal Studios Japan (USJ) being built in Osaka.
Our company in Hollywood CA had built three of the major attractions for
the new park, and I had worked the previous year as Project Supervisor,
building, painting, propping, disassembling and shipping the complex theater
show. Now it was time to see if I had done my homework correctly.
I was quite nervous to say the least. The job was complex,
the timeline was short and a huge amount of money was riding on the project's
successful completion. There was little room for mistakes, and no room
for major problems. And now, to top it all off, I was to meet a group
of Japanese workers, wholly unknown to me, who had to make it happen...
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Upon arrival in Osaka, the strangeness of Japan was
overwhelming at first. The rabbit warren of streets surrounding
my hotel fascinated me.
I spent the first night just wandering for hours through the narrow
passageways, going into stores and shops that gave no clue on the
outside as to what was on the inside. Even though I got many a surprised
look from the store employees and customers when the goofy-looking
foreigner came in, I later came to learn that the city of Osaka
was quite an international city, so foreigners were not that
unusual to the locals.
Later on I learned however, that the same was definitly
not true anywhere outside of the city.
In little rural towns I was the certainly the main
attraction. After I had been there for a few months, I could understand
enough Japanese to know that they were constantly talking about
the Gaijin ('outside person)' in their midst, everywhere
I went.
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The crew from MAST...
When I met the Japanese crew at the jobsite for the first time,
I discovered, as I had feared, they spoke absolutely no English,
and there wouldn't be a translator for some time. The only Japanese
I knew was "Ah So". That's was it. Heck, I
wasn't even sure how to say "Hello" yet. So I had to figure
out how to speak Japanese...and damn quick... along with all the cultural quirks of Japan! It was a bewildering
first couple of weeks, but we made steady and rapid progress...
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In
this picture, we had now been together for four months, and I
was getting pretty fluent in Japanese by then, (at least I'd like
to think I was....) but they told me that it really didn't matter...they
had already learned my sound effects, grunts, hand waving and
body language!
HA!
Damn them all! :)
Despite the rather casual dress you see in this picture
of the guys, they were the most efficient, talented, organized,
hard working bunch of men I've ever had the pleasure of working
with. Every day featured either uproarious laughter, a practical
joke, or language-induced confusion galore.
Even the management of USJ came around often to find
out why we were getting along so well and were so far ahead of schedule
compared to all the other Japanese/American work teams installing
other attractions.
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Other
American vendors and Japanese crews were having problems. Some incredibly
obnoxious American supervisors thought they knew everything and
demanded that it be done their way, while the proud Japanese crews
had their own ways of doing things, and dug in their heels in protest.
There were ill feelings at many of the attractions, with near mutinies
at some.
I thought the problem was that many of the "supervisors"
who came to Japan were often the suit-wearing upper management types,
or even the company owner, taking this plum assignment for themselves,
but it was painfully obvious that they had almost no knowledge of
how to get along with the "working man". In their little
domains back in the states, they were "King", and they
thought that their every utterance was divine truth, to be obeyed
instantly by the workers. Well, that just didn't fly with these
guys at all. I don't blame the Japanese at all for telling those
obese American supervisors to get stuffed. I would have felt the
same way if the situation were reversed.
However, this type of problem did not occur with our project. I
wouldn't let it. It was mutual love, honor and respect between us
from the get-go.
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But I will admit this...
Initially, I thought that I was really going to show
them "how it was done in Hollywood". You know,
show them "the right way" to do things.
HA! Man, did I ever get my ass handed to me
in a hurry! They blew my theory right out of the water. Their skill
level and near instantaneous comprehension of complex tasks was
something to behold. They put the average Hollywood technician to
shame. These guys were not the average Japanese "Joe-san
Six Pack", but were the cream of the crop amongst their peers.
After the first week I could only sit back and watch in amazement
as they would do things with simple hand saws and planes that I
could only imagine doing with power tools..and they would do it
twice as fast and better!
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The pre-show entrance, with 2 balconies, 16 door and room facades, a curved
podium, rear projection screen and two 60 foot murals installed. OK, that's
one-tenth of the job done, now on to the show itself!
NOTE:
I'm working on this page in fits and starts, so stop back
later when I've got it all written in. It should be good.... Tabun
desu' (maybe).
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